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Hei-Kyung Hong, who sang the title role in the Metropolitan Opera’s revival of Verdi’s La traviata on Friday night, has beauty aplenty but perhaps too much integrity and genuine worth to make for colorful copy. Not for her splashy galas and grist for gossip mills; instead, in her nearly thirty years with the company, she has brought eloquence and sterling musicianship to repertoire ranging from Handel to Corigliano. Stepping in for an indisposed Natalie Dessay on Friday, this gentle Mimì and ladylike Countess Almaviva showed that she can summon vocal freshness and, well, raunch that would do a twenty-something proud.